Pakistani Actress hot Love making scene in Lollywood



Film operations started out in Lahore in 1920s, now in Pakistan. The first silent film, The Daughters of Today, was released in 1924 in Lahore, the city had nine operational cinema houses.[2] Movies shown at these cinemas were mostly local productions from Bombay and Calcutta, and seldom from Hollywood and London.[2]

The Daughters of Today was a brainchild of G.K. Mehta, a former officer with the North-Western Railways who, much like Bhatavdekar, had imported a camera into the country. Mehta continued to produce newsreel coverage for companies abroad and delved into further film projects but his dedication gave way when he promptly left the film industry for more profitable ventures.[2] But it was to be later in 1929–1930, when Abdur Rashid Kardar's Husn Ka Daku[3] was released that the film industry was established in essence in Lahore's Bhati Gate locality. This would later be called Lollywood, a portmanteau of Lahore and Hollywood.[2] Kardar, a professional calligraphist, was accompanied by his fellow-artist and friend Muhammad Ismail, who would make the posters for his films.

Indigenous productions at Bhati Gate (1930s–1946)[edit]
Further information: Daughters of Today, Ardeshir Irani, Alam Ara, and Pakistan Movement
Although Kardar had worked with G.K. Mehta on The Daughters of Today, he felt he needed to do more to stay in the industry after there was no work left for him to do once the production had been done. With Ismail, he sold all his belongings to set up a studio and a production company under the name United Players Corporation in 1928.[2] Set up at Ravi Road in what is now the Timber Market, the duo hired actors to work with them on their projects. Shooting was mainly done in daylight and limited their productivity, but the area they encompassed was enriched with locations including important landmarks.[2]

While the duo established their operations, director Ardeshir Irani's Alam Ara, aka The Light of the World released in 1931. The film would become the first Indian sound film.

The duo modelled their work on American and English films with influences not just prevalent in actors' attires but the movie titles and expressed a desire to seek all means necessary to make a sound film of their own. Actors who worked for the studio included Hiralal, Gul Hamid, Nazir, Pran Sikhand, Kaushalya Devi, Gulzaar, Mumtaaz and Ahmed Deen. Husn Ka Daku, also known as Mysterious Eagle, Kardar's directorial début would firmly add him into the directors guild.[2] The Famous Pakistani film that would make him further known in the industry came in 1932. Produced by Hakim Ram Prasad, Heer Ranjha was the first sound film produced in Lahore at the United Players’ studio.[4] Hakim provided the studio with the equipment necessary to direct the sound film marked as the last directed by Kardar in Lahore, starring M. Ismail while launching the careers of Rafiq Ghaznavi, Nazeer and Anwari.

Till date, Bhati Gate is known to have produced some of most notable actors, writers and artists,[5] but with tensions running swift towards the independence of Pakistan and India in 1947, most of the actors travelled into areas that are now a part of modern India. The industry left would later be termed as Lollywood.

Post-Independence[edit]
After the independence of Pakistan in 1947, Lahore was the only film production centre in the newly founded Pakistan and on 7 August 1948 it released the first film, titled Teri Yaad. Since then, film production centres have been opened in the cities of Karachi and Peshawar.The film industry from late 60s to early 80s considered the golden era.




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